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Reviews
August 28, 2024
Miciah Hussey
Peter Hujar’s Still Life in Motion
Features
February 23, 2024
Carmen Winant
Our Visuality: Abortion Care Work and Photography
Features
April 28, 2023
Catalina Ouyang
,
Summer Kim Lee
Finding One Another in Misrecognition: Summer Kim Lee Meets Catalina Ouyang
Features
,
Reviews
February 7, 2023
Ella Dawn McGeough
It’s All About Good Timing: Goodwater at the Plumb
Reviews
January 24, 2023
Chelsea Rozansky
Mia Sandhu Holds the Gaze Hostage
Features
,
Reviews
February 27, 2020
Mitch Speed
Living Fragments: On Berlin’s Winter of Broken Pieces
Reviews
April 24, 2019
Erin Silver
From Dust to Light: On Photography’s Material Traces
Features
,
Reviews
September 20, 2018
Jonelle Mannion
Carolee Schneemann’s Ethics of Eros
Reviews
June 27, 2017
Philip Monk
Nonsense! She Said: Marvin Gaye Chetwynd Pantomimes Politics in Paris
Features
January 31, 2017
Mitch Speed
The Many Faces of Brian O’Doherty
Reviews
January 6, 2017
Mitch Speed
The Atmospheric Pressure in “Reading” Barbara Bloom
Reviews
July 25, 2016
Mitch Speed
Wresting the Work of Straub and Huillet from the Annals of Academia and Art History
Reviews
May 25, 2016
Alex Bowron
In the Skin of a Gallery: Sylvie Bélanger’s Challenge to Photography
Features
April 27, 2016
Lee Henderson
“Accessibility” and the New Hoser Aesthetics
Features
July 24, 2015
Earl Miller
On Kawara’s “I Am Still Alive” Twitter Presence: An Anomaly in Post-Internet Art
Reviews
December 10, 2014
Sky Goodden
A Ghostly Form: Scrap Metal Embraces Presence, Absence, and the Space Between
Features
October 30, 2014
Saelan Twerdy
A Theory of Everything: On the State of Theory and Criticism (Part One)
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