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    Explore , or the
    Plague Medicine: Reading Avocado Ibuprofen in a Pandemic
    Features, Reviews March 17, 2022
    Saelan Twerdy

    Plague Medicine: Reading Avocado Ibuprofen in a Pandemic

    The Anxious “I”: Walter Scott’s Autofictional Universe
    Features, Reviews October 22, 2020
    Saelan Twerdy

    The Anxious “I”: Walter Scott’s Autofictional Universe

    Momus Emerging Critics Residency 2020

    Residency August 3–28, 2020
    Black Lives Matter: Momus’s Commitment to the Movement Against Racial Inequality
    Features June 11, 2020
    Sky Goodden, Casey Beal

    Black Lives Matter: Momus’s Commitment to the Movement Against Racial Inequality

    The Internet is “Never Peaceful, Never Fair, Never Good”: An Interview with Joanne McNeil
    Features May 29, 2020
    Saelan Twerdy

    The Internet is “Never Peaceful, Never Fair, Never Good”: An Interview with Joanne McNeil

    After the Afterparty: Alan Belcher and Friends, in Retrospect
    Reviews January 10, 2020
    Saelan Twerdy

    After the Afterparty: Alan Belcher and Friends, in Retrospect

    Momus Emerging Critics Residency 2019

    Residency August 26–30, 2019
    “We Need More Voices”: Introducing the Momus Emerging Critics Residency
    Features July 23, 2019
    Sky Goodden, Amelia Wong-Mersereau

    “We Need More Voices”: Introducing the Momus Emerging Critics Residency

    Free Your Mind, or Else: “Acid Communism” and Contemporary Art’s Futurism
    Features, Reviews June 12, 2019
    Saelan Twerdy

    Free Your Mind, or Else: “Acid Communism” and Contemporary Art’s Futurism

    Recognition and Reckoning: Montreal’s Alternative Art Spaces at the Crossroads
    Features, Reviews July 27, 2018
    Saelan Twerdy

    Recognition and Reckoning: Montreal’s Alternative Art Spaces at the Crossroads

    Touch, Desire, and the Trinket Box: Celia Perrin Sidarous Shifts Time
    Reviews June 1, 2018
    Saelan Twerdy

    Touch, Desire, and the Trinket Box: Celia Perrin Sidarous Shifts Time

    “Speaking from a Wound”: Jesse Darling on Faith, Crisis, and Refusal
    Features January 9, 2018
    Saelan Twerdy

    “Speaking from a Wound”: Jesse Darling on Faith, Crisis, and Refusal

    Momus Best-Of Volume 3: 2016-17
    Features August 21, 2017
    Sky Goodden

    Momus Best-Of Volume 3: 2016-17

    The Venice Biennale
    Podcast June 1, 2017
    Season 1: Episode 1

    The Venice Biennale
    Andrew Berardini, Kimberlee Córdova, Saelan Twerdy, Catherine G. Wagley, Alison Hugill, Mitch Speed

    Morbid Symptoms: In Search of the Post-Contemporary at the 2016 Montreal Biennial
    Features, Reviews November 22, 2016
    Saelan Twerdy

    Morbid Symptoms: In Search of the Post-Contemporary at the 2016 Montreal Biennial

    Who Was Edmund Alleyn? Rediscovering a Mercurial and Untimely Talent
    Features August 4, 2016
    Saelan Twerdy

    Who Was Edmund Alleyn? Rediscovering a Mercurial and Untimely Talent

    The Sadean Woman: Tricia Middleton and the Violence of Art
    Reviews February 9, 2016
    Saelan Twerdy

    The Sadean Woman: Tricia Middleton and the Violence of Art

    Momus “Best Of”: Vol. 1
    Features August 24, 2015
    Sky Goodden

    Momus “Best Of”: Vol. 1

    On Kawara’s “I Am Still Alive” Twitter Presence: An Anomaly in Post-Internet Art
    Features July 24, 2015
    Earl Miller

    On Kawara’s “I Am Still Alive” Twitter Presence: An Anomaly in Post-Internet Art

    This Is Where It Ends: The Denouement of Post-Internet Art in Jon Rafman’s Deep Web
    Reviews July 9, 2015
    Saelan Twerdy

    This Is Where It Ends: The Denouement of Post-Internet Art in Jon Rafman’s Deep Web