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Reviews
June 26, 2025
MacKenzie River Foy
Implied Threat, Implied Responsibility: Elizabeth Catlett at the National Gallery of Art
Reviews
June 7, 2024
Salma Hussain
There is the Rising: Shelley Niro’s Reckoning Retrospective
Features
May 30, 2024
Maya Mackrandilal
Radical Looking: Newly Seeing Art With My Baby
Features
,
Reviews
February 14, 2024
Lois Taylor Biggs
Abstraction, Legibility, and Desire in the Work of Brenda Draney
Features
April 28, 2023
Catalina Ouyang
,
Summer Kim Lee
Finding One Another in Misrecognition: Summer Kim Lee Meets Catalina Ouyang
Features
November 8, 2022
Diana SeoHyung
A Distance That I Cannot Seem to Close
Features
September 16, 2019
Jasmine Amussen
Art and Labor: Writers Bloc
Features
July 5, 2019
Ben Davis
Where Do We Go From Here? Dubious Wealth and Ethical Funding
Features
June 7, 2019
Hettie Judah
“I’m Staying Away From Trump as Subject Matter”: Howardena Pindell On Refusal and Evolution
Features
,
Reviews
April 30, 2018
Catherine G. Wagley
Think of Harald’s Position: Weighing Szeemann’s Obsessions in L.A.
Features
March 13, 2018
America Meredith
,
Lori Blondeau
,
Adrian Stimson
America Meredith, Lori Blondeau, and Raven Chacon Remember James Luna (1950-2018)
Features
July 14, 2017
Ben Davis
Hélio Oiticica’s Journey From Art Visionary to Coke Dealer and Back Again
Reviews
August 16, 2016
Alison Hugill
DIS Collective’s Apathetic and Ironic Berlin Biennial Underestimates its Audience
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