• Writing,
  • Archive
  • Programs,
  • Residencies & Fellowships
  • Talks & Events
  • Podcast,
  • About,
  • Contributors
  • Write for Momus
  • Contact
  • Support
  • Advertise
  • Donate
    •
    Search
    search
  • Writing
  • Archive
  • Programs
  • Residencies & Fellowships
  • Talks & Events
  • Podcast
  • About
  • Contributors
  • Write for Momus
  • Contact
  • Support
  • Advertise
  • Donate
    •
    Explore , or the
    Choosing How to be Seen: Lessons from Louise Nevelson’s Early Work
    Reviews December 15, 2025
    Ruby Sky Stiler

    Choosing How to be Seen: Lessons from Louise Nevelson’s Early Work

    Extraordinary Living Begins Here: Artists Negotiate Large-Scale Infrastructure
    Features October 16, 2025
    Jade Meili Barget

    Extraordinary Living Begins Here: Artists Negotiate Large-Scale Infrastructure

    Jack Whitten, Human Xerox Machine
    Features, Reviews August 1, 2025
    Elizabeth Wiet

    Jack Whitten, Human Xerox Machine

    We Are the Same Thing: The Sutured Selves of María Magdalena Campos-Pons
    Reviews May 8, 2025
    Allison Noelle Conner

    We Are the Same Thing: The Sutured Selves of María Magdalena Campos-Pons

    Lineage and Light: Rose Marie Cromwell’s “A Geological Survey”
    Features February 27, 2025
    Monica Uszerowicz

    Lineage and Light: Rose Marie Cromwell’s “A Geological Survey”

    When Women Run the World: Gail Thacker’s Queer Feminist Marvel
    Features January 30, 2025
    Jackson Davidow

    When Women Run the World: Gail Thacker’s Queer Feminist Marvel

    Pacita Abad Sees the Soul of an Artifact
    Features, Reviews July 5, 2024
    Enzo Escober

    Pacita Abad Sees the Soul of an Artifact

    Changing the Ground: Amy Sillman Talks About Painting
    Features May 3, 2024
    Jason Stopa

    Changing the Ground: Amy Sillman Talks About Painting

    Magical/Market Thinking: Reflecting on the Rise and Fall of Artscape
    Features February 2, 2024
    Caitlin Jones

    Magical/Market Thinking: Reflecting on the Rise and Fall of Artscape

    “A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color
    Features September 8, 2023
    Simon Wu

    “A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color

    We’re Alive, Pablo Is Dead
    Features, Reviews August 22, 2023
    Elisabeth Nicula

    We’re Alive, Pablo Is Dead

    June Clark’s Perseverance of Memory
    Features July 11, 2023
    Jessica Lynne

    June Clark’s Perseverance of Memory

    An Alien Echo at the Gwangju Biennale
    Reviews June 8, 2023
    X. Amy Zhang

    An Alien Echo at the Gwangju Biennale

    Evidence of Things Seen*: Capture and Control in India
    Features May 22, 2023
    Arushi Vats

    Evidence of Things Seen*: Capture and Control in India

    The Soft Syncretism of Tau Lewis
    Reviews March 15, 2023
    Darla Migan

    The Soft Syncretism of Tau Lewis

    “Name What is Unnamed”: Geocinema on Diarying the War in Ukraine
    Features August 29, 2022
    Abhijan Toto

    “Name What is Unnamed”: Geocinema on Diarying the War in Ukraine

    Cameron Rowland’s Property Relations
    Features August 16, 2021
    Simon Wu

    Cameron Rowland’s Property Relations

    Between the Gallery and the Street: An Interview with Vanessa Thill
    Features August 18, 2020
    Andreas Petrossiants

    Between the Gallery and the Street: An Interview with Vanessa Thill

    The Future Wandering of Tau Lewis
    Features October 18, 2019
    Sky Goodden

    The Future Wandering of Tau Lewis

    From Dust to Light: On Photography’s Material Traces
    Reviews April 24, 2019
    Erin Silver

    From Dust to Light: On Photography’s Material Traces