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Reviews
March 6, 2025
Simon Wu
A Very Real American Place: The Suburban Unconscious in Mike Kelley
Features
June 23, 2022
Vijay Masharani
Akram Zaatari: Dance to the End of Love
Reviews
October 7, 2021
Melissa Lo
More than Not: LACMA’s “Not I” and the Necessity of History
Features
,
Reviews
June 12, 2019
Saelan Twerdy
Free Your Mind, or Else: “Acid Communism” and Contemporary Art’s Futurism
Features
March 17, 2017
Richard Wentworth
Abrasion and Collision: On History’s Steps with Robert Rauschenberg, at the Tate
Features
September 22, 2016
Eskil Lam
Wifredo Lam: The Albissola Years
Features
July 13, 2016
Georgia O'Keeffe
“Out There in the Many Miles of Bad Lands”: Georgia O’Keeffe in Her Own Words
Features
June 21, 2016
Ali Smith
You Are Still Here: The Present Tense and Present Threat of Mona Hatoum
Features
March 9, 2016
Liz Jobey
Hold Still: A History of Performing for the Camera from Nadar to the Selfie
Reviews
November 23, 2015
Liz Park
The Lips of a Wound: Reflections on Doris Salcedo
Features
September 29, 2015
Chris Dercon
What is the Museum of the Future?
Features
August 6, 2015
Karen Schiff
On the Subtle Joy of Agnes Martin
Features
July 17, 2015
Tracey Emin
,
Simon Grant
Perfect Bedfellows: Tracey Emin on Francis Bacon
Features
July 13, 2015
Sky Goodden
Chantal Pontbriand Will Not Curate Your Biennial: On “Demo-Graphics,” and Its Potential to Reignite Toronto
Reviews
October 15, 2014
Colin Perry
Pierre Huyghe’s Airless Fantasy at Hauser & Wirth
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