• Writing,
  • Archive
  • Programs,
  • Residencies & Fellowships
  • Talks & Events
  • Podcast,
  • About,
  • Contributors
  • Write for Momus
  • Contact
  • Support
  • Advertise
  • Donate
    •
    Search
    search
  • Writing
  • Archive
  • Programs
  • Residencies & Fellowships
  • Talks & Events
  • Podcast
  • About
  • Contributors
  • Write for Momus
  • Contact
  • Support
  • Advertise
  • Donate
    •
    Explore , or the
    Perfectly Imperfect: On Casa Susanna and Its Tender, Queer Entanglements
    Reviews November 20, 2025
    Emma Fiona Jones

    Perfectly Imperfect: On Casa Susanna and Its Tender, Queer Entanglements

    Myth and Reality Converge: Qiu Anxiong and Howie Tsui at Richmond Art Gallery
    Reviews September 23, 2025
    Lin Li

    Myth and Reality Converge: Qiu Anxiong and Howie Tsui at Richmond Art Gallery

    “Staying with the Trouble” at the Helsinki Biennial: Challenges of Environmental Curating
    Reviews September 11, 2025
    Katie Lawson

    “Staying with the Trouble” at the Helsinki Biennial: Challenges of Environmental Curating

    Love Letter Incinerators: Martin Wong’s Prison Paintings
    Features August 14, 2025
    Ramona Ngin

    Love Letter Incinerators: Martin Wong’s Prison Paintings

    “I Always Wanted to Participate”: In Conversation with Vijay Masharani
    Features July 25, 2025
    Mimi Howard

    “I Always Wanted to Participate”: In Conversation with Vijay Masharani

    Disposability, Divestment, and Action: The Palestine Solidarity Movement and the State of Art in Toronto
    Features February 5, 2025
    Tiana Reid

    Disposability, Divestment, and Action: The Palestine Solidarity Movement and the State of Art in Toronto

    Kelly Lycan’s Objects in Waiting
    Features November 12, 2024
    Sky Goodden

    Kelly Lycan’s Objects in Waiting

    Spaces of Doubt: Ursula Biemann at MUAC
    Reviews November 4, 2024
    David Ayala-Alfonso

    Spaces of Doubt: Ursula Biemann at MUAC

    Paul Chan’s “Breathers” Turns Away
    Reviews August 8, 2024
    Annette LePique

    Paul Chan’s “Breathers” Turns Away

    Pacita Abad Sees the Soul of an Artifact
    Features, Reviews July 5, 2024
    Enzo Escober

    Pacita Abad Sees the Soul of an Artifact

    There is the Rising: Shelley Niro’s Reckoning Retrospective
    Reviews June 7, 2024
    Salma Hussain

    There is the Rising: Shelley Niro’s Reckoning Retrospective

    Radical Looking: Newly Seeing Art With My Baby
    Features May 30, 2024
    Maya Mackrandilal

    Radical Looking: Newly Seeing Art With My Baby

    Changing the Ground: Amy Sillman Talks About Painting
    Features May 3, 2024
    Jason Stopa

    Changing the Ground: Amy Sillman Talks About Painting

    Do You Believe in Aliens?: Re-Indigenizing the Algorithmic Tropes of Intelligence
    Features February 29, 2024
    Kira Xonorika

    Do You Believe in Aliens?: Re-Indigenizing the Algorithmic Tropes of Intelligence

    “A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color
    Features September 8, 2023
    Simon Wu

    “A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color

    We’re Alive, Pablo Is Dead
    Features, Reviews August 22, 2023
    Elisabeth Nicula

    We’re Alive, Pablo Is Dead

    Out of Necessity and Out of Love: Andrea Fatona’s 30-Year Tribute to Black Canadian Women
    Reviews March 2, 2023
    Neil Price

    Out of Necessity and Out of Love: Andrea Fatona’s 30-Year Tribute to Black Canadian Women

    Violence and Vibes Haunt Museum London’s “Spectral”
    Reviews February 23, 2023
    Alex Borkowski

    Violence and Vibes Haunt Museum London’s “Spectral”

    Portrait of the Artist as a Young Thief
    Features, Reviews January 6, 2023
    Jenny Wu

    Portrait of the Artist as a Young Thief

    Reviewing the Reviews: Documenta 15
    Features, Reviews December 10, 2022
    Rahel Aima and Catherine G. Wagley

    Reviewing the Reviews: Documenta 15