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    Explore , or the
    Reviews October 2, 2025

    The Technologies of Art and War: Lucy Raven at Vancouver Art Gallery

    “You Took, Took, Took”: Alanis Obomsawin’s Work is Never Finished
    Reviews January 23, 2025
    Amelia Wong-Mersereau

    “You Took, Took, Took”: Alanis Obomsawin’s Work is Never Finished

    “We’re All Tied to the Place That We’re From”: Celebrating 50 Years with Equinox Gallery
    Features December 22, 2022
    Sky Goodden

    “We’re All Tied to the Place That We’re From”: Celebrating 50 Years with Equinox Gallery

    Situating Great Ocean Art in Canadian Museums
    Features October 29, 2021
    Dr. Léuli Eshrāghi

    Situating Great Ocean Art in Canadian Museums

    Chance Elements: On Wayne Ngan (1937-2020)
    Features August 14, 2020
    Jesse Birch

    Chance Elements: On Wayne Ngan (1937-2020)

    It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art
    Features December 2, 2019
    Mark Mann

    It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art

    Looking Out from Looking In: Geneviève Cadieux Shifts From the Polemic to the Poetic
    Reviews April 27, 2019
    Sky Goodden

    Looking Out from Looking In: Geneviève Cadieux Shifts From the Polemic to the Poetic

    America Meredith, Lori Blondeau, and Raven Chacon Remember James Luna (1950-2018)
    Features March 13, 2018
    America Meredith, Lori Blondeau, Adrian Stimson

    America Meredith, Lori Blondeau, and Raven Chacon Remember James Luna (1950-2018)

    The Material Undoings of Kelly Lycan
    Features, Reviews December 21, 2016
    Joni Low

    The Material Undoings of Kelly Lycan

    Vancouver Art Gallery’s “MashUp” Too Limited in its Understanding
    Reviews May 11, 2016
    Zoë Chan

    Vancouver Art Gallery’s “MashUp” Too Limited in its Understanding

    “Accessibility” and the New Hoser Aesthetics
    Features April 27, 2016
    Lee Henderson

    “Accessibility” and the New Hoser Aesthetics

    “How to Lie About Canadian Art”: A Case Study in Art Criticism
    Features February 2, 2016
    Dick Averns

    “How to Lie About Canadian Art”: A Case Study in Art Criticism

    Playing the Double Agent: Kathleen Ritter’s “Camoufleurs”
    Reviews December 29, 2014
    Saelan Twerdy

    Playing the Double Agent: Kathleen Ritter’s “Camoufleurs”