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    Explore , or the
    Caroline Monnet’s Uneasy Objects
    Reviews April 4, 2024
    Kirsty Robertson

    Caroline Monnet’s Uneasy Objects

    A Goodbye to Former Selves: Uncategorizing Sonja Ahlers
    Reviews October 27, 2023
    Yasmine Whaley-Kalaora

    A Goodbye to Former Selves: Uncategorizing Sonja Ahlers

    Losing Ground in Singapore’s State-Curated Digital Age
    Features December 21, 2021
    Eunice Lacaste

    Losing Ground in Singapore’s State-Curated Digital Age

    Ambivalent Transparency: Artists Go on and “Off the Record” at Guggenheim
    Reviews June 25, 2021
    Max Pearl

    Ambivalent Transparency: Artists Go on and “Off the Record” at Guggenheim

    “I Think I’m Really Enjoying Painting”: Margaux Williamson’s New Work
    Features May 12, 2021
    Mark Mann

    “I Think I’m Really Enjoying Painting”: Margaux Williamson’s New Work

    Ambera Wellmann’s Big Swing
    Reviews October 9, 2020
    Kristian Vistrup Madsen

    Ambera Wellmann’s Big Swing

    A Provisional Biennial Amid Istanbul’s Endless Restoration
    Reviews November 14, 2019
    David Balzer

    A Provisional Biennial Amid Istanbul’s Endless Restoration

    “Where Does Art Get To Live?”: A Conversation Between Anique Jordan and Michèle Pearson Clarke
    Features May 30, 2019
    Anique Jordan, Michèle Pearson Clarke

    “Where Does Art Get To Live?”: A Conversation Between Anique Jordan and Michèle Pearson Clarke

    Ana Mendieta’s Death is Not a Metaphor
    Features, Reviews February 12, 2019
    Mitch Speed

    Ana Mendieta’s Death is Not a Metaphor

    Sanded Edges: Pierre Huyghe Turns Polite at the Serpentine
    Reviews February 1, 2019
    Kanad Chakrabarti

    Sanded Edges: Pierre Huyghe Turns Polite at the Serpentine

    An Open Door, By the Lake: Nadia Belerique Advances Her Symbolism
    Reviews June 2, 2018
    Sky Goodden

    An Open Door, By the Lake: Nadia Belerique Advances Her Symbolism

    Darkling Futures and Desert Hangover at the New SITE Sante Fe
    Features, Reviews December 1, 2017
    Andrew Berardini

    Darkling Futures and Desert Hangover at the New SITE Sante Fe

    “Science Truth” and Fearless Feminism in Lynn Hershman Leeson’s “Civic Radar”
    Reviews May 12, 2017
    Wendy Vogel

    “Science Truth” and Fearless Feminism in Lynn Hershman Leeson’s “Civic Radar”

    Modernist Frederick Kiesler is “Rediscovered” Between Abstraction and Compromise
    Reviews May 2, 2017
    Kristian Vistrup Madsen

    Modernist Frederick Kiesler is “Rediscovered” Between Abstraction and Compromise

    Abrasion and Collision: On History’s Steps with Robert Rauschenberg, at the Tate
    Features March 17, 2017
    Richard Wentworth

    Abrasion and Collision: On History’s Steps with Robert Rauschenberg, at the Tate

    The Many Faces of Brian O’Doherty
    Features January 31, 2017
    Mitch Speed

    The Many Faces of Brian O’Doherty

    What’s Become of the “Curator”?
    Features November 25, 2016
    Hettie Judah

    What’s Become of the “Curator”?

    You Are Still Here: The Present Tense and Present Threat of Mona Hatoum
    Features June 21, 2016
    Ali Smith

    You Are Still Here: The Present Tense and Present Threat of Mona Hatoum

    In the Skin of a Gallery: Sylvie Bélanger’s Challenge to Photography
    Reviews May 25, 2016
    Alex Bowron

    In the Skin of a Gallery: Sylvie Bélanger’s Challenge to Photography

    Abstraction Made Political: Helena Almeida Rewrites Her Own History in Portugal
    Reviews January 5, 2016
    Owen Duffy

    Abstraction Made Political: Helena Almeida Rewrites Her Own History in Portugal