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Writing
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Momus Podcast
Features
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Reviews
August 1, 2025
Elizabeth Wiet
Jack Whitten, Human Xerox Machine
Reviews
March 6, 2025
Simon Wu
A Very Real American Place: The Suburban Unconscious in Mike Kelley
Features
October 12, 2024
Lauren Stroh
On Not Lasting: Diaries, Loss, and the Art of Eva Hesse
Reviews
September 11, 2024
Rachel Elizabeth Jones
Daddy Says: Ed Ruscha in Other Words
Features
,
Reviews
April 26, 2024
Terry Nguyen
A Feeling Between the Lines: The Anxious Influence of Agnes Martin’s “Writings”
Reviews
December 12, 2023
Eliza Swann
They Made Him Gray: The Whitney Museum Dims Artist and Mystic Harry Smith
Features
September 8, 2023
Simon Wu
“A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color
Features
,
Reviews
May 2, 2023
Elisabeth Nicula
Bad Reviews
Features
April 28, 2022
Dana Kopel
Proving the Rule: The “Exceptionalism” Problem with Art-World Labor
Features
February 24, 2022
Simon Wu
On Whiteness
Features
,
Reviews
August 4, 2021
Andrew Witt
Jill Mulleady’s Twilight Hour
Features
April 30, 2021
Jason Stopa
“I Don’t Go to Crisis Just Yet”: Four Painters Discuss the Rise of Figurative Painting
Podcast
January 8, 2021
Season 4: Episode 3
“Writing, like fisting...” Tausif Noor
Tausif Noor
Features
July 5, 2019
Ben Davis
Where Do We Go From Here? Dubious Wealth and Ethical Funding
Reviews
May 11, 2018
Charlie Markbreiter
Nick Mauss’s Continental Divide
Features
,
Reviews
April 26, 2018
Thea Ballard
New Forms for New Crises: The Need for a New Ecological Representation
Reviews
April 18, 2018
Christina Catherine Martinez
Embarrassed Celebrity: Laurie Simmons’s Feature Debut
Features
August 11, 2017
Casey Beal
Free to Care Less: On the Cynicism of “Starting a Conversation”
Features
July 14, 2017
Ben Davis
Hélio Oiticica’s Journey From Art Visionary to Coke Dealer and Back Again
Features
March 2, 2016
Ben Davis
The State of the Artworld, Explained
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