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Momus Podcast
Features
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Reviews
August 1, 2025
Elizabeth Wiet
Jack Whitten, Human Xerox Machine
Reviews
March 6, 2025
Simon Wu
A Very Real American Place: The Suburban Unconscious in Mike Kelley
Features
October 12, 2024
Lauren Stroh
On Not Lasting: Diaries, Loss, and the Art of Eva Hesse
Reviews
September 11, 2024
Rachel Elizabeth Jones
Daddy Says: Ed Ruscha in Other Words
Features
,
Reviews
April 26, 2024
Terry Nguyen
A Feeling Between the Lines: The Anxious Influence of Agnes Martin’s “Writings”
Features
March 9, 2024
Kate Wolf
She Was Paying Attention: Remembering Alexis Smith
Reviews
December 12, 2023
Eliza Swann
They Made Him Gray: The Whitney Museum Dims Artist and Mystic Harry Smith
Features
September 8, 2023
Simon Wu
“A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color
Features
,
Reviews
May 2, 2023
Elisabeth Nicula
Bad Reviews
Features
April 28, 2022
Dana Kopel
Proving the Rule: The “Exceptionalism” Problem with Art-World Labor
Features
,
Reviews
March 22, 2022
Geoffrey Mak
An Ascetic Pose: Avery Singer’s New Refusal
Features
February 24, 2022
Simon Wu
On Whiteness
Features
,
Reviews
August 4, 2021
Andrew Witt
Jill Mulleady’s Twilight Hour
Features
April 30, 2021
Jason Stopa
“I Don’t Go to Crisis Just Yet”: Four Painters Discuss the Rise of Figurative Painting
Podcast
January 8, 2021
Season 4: Episode 3
“Writing, like fisting...” Tausif Noor
Tausif Noor
Features
October 30, 2020
Catherine G. Wagley
The Untenability of the Unethical Museum
Features
August 18, 2020
Andreas Petrossiants
Between the Gallery and the Street: An Interview with Vanessa Thill
Features
July 27, 2019
Ben Davis
How Protest Works Now: Understanding “The Tear Gas Biennial” and its Historic Effect
Features
July 5, 2019
Ben Davis
Where Do We Go From Here? Dubious Wealth and Ethical Funding
Reviews
March 15, 2019
Maura Callahan
More Culture than Capital: Modesty and Ambition at the Atlanta Biennial
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