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Features
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Reviews
March 26, 2026
Pallavi Surana
In Search of True Collectivity: Infrastructure and Intent at the Kochi-Muziri Biennale
Reviews
September 11, 2025
Katie Lawson
“Staying with the Trouble” at the Helsinki Biennial: Challenges of Environmental Curating
Features
July 17, 2025
Najrin Islam
A Note on Omission: Navigating Institutional Censorship and the Need for Repair
Features
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Reviews
July 31, 2024
Sholem Krishtalka
Goodbye to Berlin
Reviews
July 11, 2024
Simon Wu
The Possessions of Paul Pfeiffer
Features
February 29, 2024
Kira Xonorika
Do You Believe in Aliens?: Re-Indigenizing the Algorithmic Tropes of Intelligence
Features
July 28, 2023
Doreen A. Rios
Dataspace: From the Observed Object to the Participating Subject
Features
May 22, 2023
Arushi Vats
Evidence of Things Seen*: Capture and Control in India
Features
,
Reviews
April 12, 2023
Jenny Wu
Solitary: Collective Authorship and its Discontents
Features
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Reviews
December 10, 2022
Rahel Aima and Catherine G. Wagley
Reviewing the Reviews: Documenta 15
Features
August 29, 2022
Abhijan Toto
“Name What is Unnamed”: Geocinema on Diarying the War in Ukraine
Features
,
Reviews
July 8, 2022
Jayne Wilkinson
Against Nations
Features
May 26, 2022
Kamayani Sharma
Hypoxia and Hope
Features
May 17, 2021
Jarrett Earnest
“I Left This for a Reason”: An Interview with Amy Fung
Features
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Reviews
March 23, 2021
Minh Nguyen
Imagination Over Submission: Luis Camnitzer’s Liberatory Art Education
Features
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Reviews
January 13, 2021
Andrew Woolbright
We Are Gathered Here to Grieve: Salvaging, Mourning, and “Cargo Cult Formalism” in New York
Features
August 18, 2020
Andreas Petrossiants
Between the Gallery and the Street: An Interview with Vanessa Thill
Reviews
July 6, 2020
Rahel Aima
Depleting Felix Gonzalez-Torres
Reviews
September 17, 2019
Vince Rozario
The Thread of the Weave: Meaning from Material at Oakville Galleries
Reviews
May 11, 2018
Charlie Markbreiter
Nick Mauss’s Continental Divide
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