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Reviews
March 19, 2026
Madeleine Seidel
Tour de Farce: Pat Oleszko at SculptureCenter
Features
March 6, 2026
Lisa Hsiao Chen
Art Time / Life Time: On Tehching Hsieh’s Thirteen Year Plan
Features
March 4, 2026
Eliza Swann
Moving Through the Rupture: Tehching Hsieh and Linda Montano Revisit Rope Piece
Features
July 25, 2025
Mimi Howard
“I Always Wanted to Participate”: In Conversation with Vijay Masharani
Features
June 19, 2025
Sarah Hollenberg
End of the World: Revisiting a Lost Future at Spiral Jetty
Reviews
June 5, 2025
Paula Mejia
A Punk-Rock Polyglot: The Subversive Riffing of Carole Caroompas
Features
September 27, 2024
Gyula Muskovics
Invasion from Mars: On the Charged Personae of Shelly Mars
Features
October 16, 2023
Cassie Packard
Tracking the Sapphic Social Imaginaries: Lesbian Art in Print
Features
January 31, 2023
Catherine G. Wagley
All Positions Possible: Simone Forti Across Time, Through Community
Features
December 21, 2021
Eunice Lacaste
Losing Ground in Singapore’s State-Curated Digital Age
Features
,
Reviews
February 11, 2021
Catherine G. Wagley
Stuck in the Same Muck: Journeying Through Asher Hartman’s Psychic Theater
Features
September 28, 2020
Ben Davis
“Proudly Broken and Refusing to ‘Fit’”: Legacy Russell on “Glitch Feminism”
Features
May 5, 2020
Magdalena Olszanowski
Artists in Isolation: Nadège Grebmeier Forget’s “Some Kind of Game”
Reviews
February 5, 2020
Terence Trouillot
The Weight of Enduring: Miles Greenberg’s Sanguine Devotion
Features
December 2, 2019
Mark Mann
It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art
Features
March 4, 2019
Paul Michael Brown
Searching for Lemon Boy
Features
,
Reviews
February 12, 2019
Mitch Speed
Ana Mendieta’s Death is Not a Metaphor
Podcast
March 7, 2019
Season 2: Episode 1
“What Makes Great Art?” Jeanne Randolph & Sheila Heti
Sheila Heti
,
Jeanne Randolph
Features
August 10, 2018
Catherine G. Wagley
What to Do About Klaus: How Arts Communities Assert Their Agency
Reviews
August 2, 2018
Maura Callahan
A Long, Dull Shadow: Georg Baselitz’s Legacy of Misogyny
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