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Features
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Reviews
March 17, 2022
Saelan Twerdy
Plague Medicine: Reading Avocado Ibuprofen in a Pandemic
Reviews
January 10, 2020
Saelan Twerdy
After the Afterparty: Alan Belcher and Friends, in Retrospect
Features
,
Reviews
July 27, 2018
Saelan Twerdy
Recognition and Reckoning: Montreal’s Alternative Art Spaces at the Crossroads
Reviews
July 25, 2018
Mitch Speed
Worrying the Note: A German Stage for Arthur Jafa’s Black-American Chorus
Features
,
Reviews
November 22, 2016
Saelan Twerdy
Morbid Symptoms: In Search of the Post-Contemporary at the 2016 Montreal Biennial
Reviews
October 27, 2016
Sky Goodden
Clive Holden Grounds the Digital in Aura
Features
February 29, 2016
Sky Goodden
To Cloak or Reveal: Ryan Gander on the Question That Dogs Him
Reviews
October 7, 2015
Otino Corsano
All That Is Solid …: Alex McLeod Taps the Cult of the Canadian Sublime and Explodes the Digital
Features
August 24, 2015
Sky Goodden
Momus “Best Of”: Vol. 1
Features
July 24, 2015
Earl Miller
On Kawara’s “I Am Still Alive” Twitter Presence: An Anomaly in Post-Internet Art
Reviews
July 9, 2015
Saelan Twerdy
This Is Where It Ends: The Denouement of Post-Internet Art in Jon Rafman’s Deep Web
Reviews
March 17, 2015
Saelan Twerdy
Aiming to Please: Division Gallery Surveys Post-Internet Entertainment
Reviews
February 24, 2015
Alex Bowron
The Contemporary Erotics of Laurie Kang
Features
December 31, 2014
Saelan Twerdy
Year in Review: Montreal From the Ground Up
Features
,
Reviews
December 22, 2014
Aaron Bogart
Identity After the Internet: Three Berlin Exhibitions in Search of Commonality
Features
November 17, 2014
Joseph Henry
Kill the Expert: An Interview with Brian Droitcour
Features
November 3, 2014
Saelan Twerdy
A Theory of Everything: On The State of Theory and Criticism (Part Two)
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