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Features
April 4, 2022
Calum Sutherland
“I Wish We Could Reach for New Language”: An Interview with Sky Goodden
Momus Emerging Critics Residency 2021
Residency
August 9
–
20, 2021
Features
May 12, 2021
Mark Mann
“I Think I’m Really Enjoying Painting”: Margaux Williamson’s New Work
Momus Emerging Critics Residency 2020
Residency
August 3
–
28, 2020
Features
June 11, 2020
Sky Goodden
,
Casey Beal
Black Lives Matter: Momus’s Commitment to the Movement Against Racial Inequality
Features
April 24, 2020
Mark Mann
Artists in Isolation: Instagram, Leave Us to Our Darkness
Features
December 2, 2019
Mark Mann
It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art
Momus Emerging Critics Residency 2019
Residency
August 26
–
30, 2019
Features
July 23, 2019
Sky Goodden
,
Amelia Wong-Mersereau
“We Need More Voices”: Introducing the Momus Emerging Critics Residency
Reviews
June 19, 2018
Mark Mann
Me For You: The Modest Directives of Ho Tam and Rainer Ganahl
Features
,
Reviews
March 23, 2018
Mark Mann
The Trouble with Occupying Others: Althea Thauberger Confronts the Violence of the Archive
Reviews
February 13, 2018
Mark Mann
Maria Hupfield Returns to the Beginning
Reviews
November 14, 2017
Mark Mann
Joseph Tisiga Unsettles Exoticism with Mythic Force at Parisian Laundry
Reviews
October 12, 2017
Mark Mann
White Like Me: Encountering Divya Mehra’s “You have to tell Them, i’m not a Racist”
Reviews
September 6, 2017
Mark Mann
The Five Disappearances of Tammi Campbell
Reviews
July 18, 2016
Mark Mann
From a Safe Distance: Guy Maddin Stills His Lens with Collage
Reviews
April 26, 2016
Sky Goodden
,
Mark Mann
The Depressing Power of Art in Raphaëlle de Groot’s “Summit Meetings”
Reviews
February 12, 2015
Mark Mann
The Temptation of Everything in Michael Dudeck’s “Messiah Complex 5.0”
Reviews
December 8, 2014
Mark Mann
Brooklyn Is Everything: Artworlds Apart in a Gentrified Borough
Reviews
October 14, 2014
Mark Mann
The Miserable Quips of Brad Phillips
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